That Floating Excrement Was Far Too Symbolic! These Are the Television Letdowns of the Year.

As we consider the television offerings of the recent year, a handful of series stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Burdened with woeful writing, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the final season started, it looked like it had finally found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, fans undeniably found joy dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this show's issues. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to start enumerating the problems. The hilariously wooden writing? The tedious glorification of wealth and consumption? The almost wilful procession of tropes? Performances so bad they felt almost malicious? Suffice it to say “all of the above” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of reckless hedonism while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any pity this series might evoke should be reserved for the people who have had to suffer close contact with this charismatic but dismissive egotist.

The Supercomputer Drama

Of course we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the ignominy of having to indulge baffling dialects. But there were plenty of other problems. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various London picaresques which seemed a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into quaint homemaking as deliberate provocations. But then you watch them and are forced to admit that actually, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for evening drinks with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about regarding Victoria Beckham and her struggles with vocation, identity, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the experience was like consuming a marketing brochure. She obviously has good reason to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right voice, lumbering from oddly breezy, slightly stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so intelligent he’s on the brink of a discovery that could destabilise society? Nope! This globe-trotting thriller about secret services spying on – and killing off – academics frankly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for explicit escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her actual psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Donald Richmond
Donald Richmond

Elena Voss is a tech enthusiast and e-commerce specialist with over a decade of experience in product curation and customer satisfaction.