Helmed by Portishead co-founder the musician-producer, this scabrous if undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film is in British and Irish cinemas from 17 November.
